100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 1-10

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are days 1-10 as they come

Day 1

I have nothing

I stand before you with nothing

I am nothing

You stand before me with nothing

I don’t know what I know

but I know that you know nothing

Having come from nothing

To nothing & from nothing

Let my nothing meet your nothing

We may find something there.


Day 2

This will not be a litany of remembrances:

We know who the guilty are

The guilty know themselves

This is a charge against the witnesses

& those who cannot speak

This is a charge against those who speak incompletely

& incoherently

Against nature who saw everything & did nothing

against the bodies that dissolved

& the ones that refused to dissolve

those that insisted on writing the landscape with bones

This is a charge against pain

against heartbreak

against laughter

against the dead.


Day 3

We were pock-marked by these things:

a torrent of accusations falling like rain

bayonet sticks


We were mocked

by faith in tiny shards

by the cross, with its pliant figure

representing grace

or representing the presence of God

What God in such a time?

What God afterwards?

What God ever?

Day 4

Acel ariyo adek angwen
Acel ariyo adek angwen
Acel ariyo adek angwen
Acel ariyo adek angwen
Acel ariyo adek angwen
Acel ariyo adek angwen
We have run out of days

Day 5
What do I remember?
Nothing but the contagion of stories
What do I want to say?
What do I want to say?

Day 6
Images from those days return like silent movies
The available light of the rest of this life and I
can’t hear anything
Just the silent movies

Day 7

Then we stumbled into the place where words go to die

& where words come from


First we bathed in it in it like sunbathers

then we washed ourselves in it

we rinsed our mouths out

shampooed our hair

swam in the words

& at night

we covered ourselves in words

& went to sleep


at night

the nightmares returned

but the dreams also came


Day 8

Justice woke up and went to work

but no one showed up


Justine, not justice, went to work

but no one showed up


Justice and not Justine

woke up and went to work

but no one showed up


women woke up and went to work

no one knows where Justine and/or

Justice are doing these days

Day 9
These days
circle and circle
some days soar from above like kites
others circle around and around
like hyenas waiting for the story to die

some sit
some stand in long legs
vultures wait
some stay some change seats
others come and go
some dive in
some walk, crawl, cycle
dial on the radio to listen
to stories in embers
stories aflame
stories in stories
stories stoking stories
stories stalking stories
stories in circles & circles

those stories haven’t yet killed me

Day 10

What indeed


the criminalizing function

of language in media?





Pumped full of bullets


& left to rot on the street






People murdered

Calculated and rated on a per hour basis

& sometimes exacted to ethnic & tribal






Never people you know

Until they are


100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 11-20

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Day 11
Savage savage savage
sa vedge sa vedge
sav edge sav edge
save edge save edge
saved saved

Day 12
What now?
That we must create our own world
That we use the right words for the world we want to live in
Like God: Let there be light
And there was light

Let us forgive our enemies
Let us be good examples for the next generation
Let us belong to one another
Let us be friends

Day 13
There was a rainbow in that sky
the day a chain-linked fence separated us

You probably saw the rainbow in the sky
The chain-linked fence, you probably saw it as well

Here are Days 11-20 as they come
Day 14
Now their eyes flit flit flit
dragonflies in the afternoon
their hands are calm as they write
but clammy in the handshake
what can we do for you?
what can we do for you?

Their eyes like dragonflies, what can they do for me?

Day 16

We were the carriers of the events
Days and nights worked in tandem
to make us forget

We carried proof of place & proof of time
We recited these details over & over
We marked our steps
We marked the cadences into a rhythm & held them close to heart.

Day 17
This is the horror that did not turn you into stone
This the poem, the mirror with which you can behold
that you did not turn into stone
This is true: you’re still not stone

Day 18
Yesterday tripped and fell into evening
As it plunged deep into the night, voices rose up
from the abyss:

Come! Come!
They called
We never slept, trying to makes sense
whose voice was whose

Yesterday tripped and fell into a long night
of calling, of voices beckoning, recalling
things done, things undone by time

Today, I’m trying to sort out the differences
whose voice was whose
which place, what time

They all sound the same now — the dead and the
unborn; they all sound the same.

Day 19

So this is what the Greek storyteller foretold:
First, the pity inducing event

Those poor, poor people,
Pity in the numbers, pity in the grotesque photos that followed
writing and the reading that followed

There was nothing, nothing we could have done different
Everything was beyond us

Then came the fear it would spread like contagion
Uncontrolled like a forest fire

Now it is time for catharsis

Day 20

It has been called a harvest of death

It was more like a net that was cast

A fisher net

A fisher net cast by a man

A fisher of men

Christ, was that you?

100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 21-30

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 21-30 as they come

Day 21

A ring around a rosie

A ring around a posy

A ring around a peony

A ring around a buttercup

A ring around a baby’s breath

A ring around a bouquet


A pocket full of posers

A pocket full of diamonds

A pocket full of memory

A pocket full of justice

A pocket full of ideas

A pocket full of shit


Ring around a rosy

A pocket full of posies

Achoo! Achoo!

We all fall down!


Day 22

Twenty years later we’re young again

as we should be

Welcome to this country



Come and see how we live

Come and see how we get over everything

Come and see how we exhibit skulls

Come and see how we caress skeletons and tell stories about who these bones were

Come and see how how easy we are with things

Come and visit.


Our country is now open for tourism.


Day 23

Some of us fell between words

& some of us onto the sharps edges

at the end of sentences


And if we’re not impaled 

we’re still falling through stories that don’t make sense


Day 24

& then there was just the two of us

everything in flames


There was the two of us

your arm around my shoulder

mine around your waist

we hobbled on

just the two of us


we hobbled on

just the two of us for a while

& then there was just me


Day 25

Bones lie

Bones lie

Bones lie

About their numbers and bits and parts


Bones lie in open air, in fields, under brushes, along with with others in state vaults

in museums as if they belong there

in piles, as if they would ever do that in life


Bones lie about being dead



pulverized, as if we who are not all bone

don’t live with nightmares


Bone have nothing to say

Nothing about who it was that loved them the most


Day 26

That day dared to set

As did the one after it and the one after that

Days became long nights

That became mornings which appeared innocent

of the activities of the day before


That day shouldn’t have set


The next day

if that other day had collapsed from exhaustion, should have held the night sky at bay

That day should have remained fixed in perpetuity

so that we would always know it to be true


Day 27

Glory be to the Father to whom all this is his will

Glory be to the Son who claims to have died for the sins of all men

Glory be to the Holy Spirit that guides the tongues of flames of the believers

As it was in the beginning

As it was in the beginning

As it has always been


As long as we need to hark back to a beginning

that only exists in the memory of the elusive trinity who can only be accessed through faith

Nothing will ever change

Nothing will ever change except by faith

So nothing will change


Day 28

When I (survey) look out at the world around me

(The wondrous cross)

On which (the Prince of Glory) every one that I loved, died

(My richest gain) My richest gain? My richest gain?

I count (but) as loss

It was all loss, all of it

And so I pour contempt on all (my) the pride

That seems to think that there is anything to celebrate


Don’t ever forbid it, Lord

That I should (boast) dare to speak out

(Save in) on the deaths

(of) Christ, my God, everything, everything that mattered

All the vain things that charm (me) you most – the sky scrapers, the clean streets

& the moneyed vendors

(I) You sacrifice (them) your own morality (to his blood)


There is nothing to party about, nothing


See from (His head, His hands, His feet) this vantage point

Just how much sorrow and love and bone and blood flow mingling down

Did e’er such love and sorrow meet? Did ever?

Where did ever such a twisted sense of wreath making come from?

Or why would thorns compose so rich a crown?

Can you not read the land?


Were the whole realm of nature mine

That were a present far too small

Love so amazing so divine

Demands my soul, my life, my all


So it took my soul, my life, my all


Day 29

Time is a curve

so long that it seems to be a straight line


I can see myself walk away

I see

& then remember my heel striking the ground first

the weight of my shoulders

the back of my head & the low hang of my neck


Circle forward

What does my face matter if my heel is still cracked?


Day 30

A grid

a fence

a field

some grass

some stumbling


a ditch


a broken slipper


a tear

a sheet

some fumbling

a groan


a metal plate with a faded rose in it

a rusty kettle that will never boil.

100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 31-40

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 31-40 as they come


Day 31

Here: it is daytime now

We’re here

It is now twenty years after a hundred days that we did not plan on living through

We wanted to, prayed, yearned to make it


Not that those who didn’t didn’t

Day 32


In Eden

We heard birdsong and didn’t hear it

We saw the soft flutter & sail of a falling leaf, but we didn’t know how to read it

We worked the earth, lived off it, trampled it back and forth, back and forth


In Eden

We never thought about the difference between house and home

we never even thought to call it; we were it, it was us and ours

gang wa


Now as we fall unendingly

we know different

we understand belonging as transitory at best

& as elusive as the future we once imagined.


Day 33

So we mothed along towards the fire

With the full knowledge that there couldn’t be anything else beyond this

We mothed along

with bare arms, wingless


a light step here

a light step there

sometimes no step at all

& other times dreamless stops


We mothed along knowing that it was possibly death

& not fire that beckoned


Day 34

So we saw, tasted, smelled, touched, felt and heard what we knew to be true


We had to see, taste, smell, touch, feel and hear in order to know this word


How much made it valid?

Would one less death have disqualified those hundred days from being called a genocide?


And more?


Day 35

There’s no denying the flap of an angel’s wings

for someone who felt it fan her face in those days


The salve of a gentle touch

The stretch of an arm to catch you as you reached for the top of the wall

the strength of a wail

the depth of a moan

the light of unending days

the consistency of seasons

as real as angel wings


There is, however, a slope that leads

from these days of fiction

into nightmares that are real.


Day 36

Oh, I curse you

I curse you long and hard and deep and wide

I curse you with fire from my mouth

I join everyone with fire in the mouth

Wherever we live & wherever we lay

We curse you, we curse you, we curse you.


Day 37

When Christ lost a beloved friend, he cried out:


Lazarus, come out of the tomb

Lazarus, come out of the tomb


Imagine Christ crying for the beloved on this land:

Lazarus! Lazarus! Lazarus! Lazarus!

Lazarus, come out of the tomb!


Imagine Christ with a croaking voice:

Lazarus, Lazarus, Lazarus


Christ in a whisper

Christ mumbling:

Lazarus, Lazarus


Christ spent

Christ crumbled

Oh, Lazarus


Christ either had no idea of these one hundred days

Or he must have lost his voice in the first few moments


Christ may just have not been capable

He might have noted the endless and boundless losses of the beloved on this land

He might have hung his head down, powerless in the face of this might


Christ, look to your mother

ask her to pray for your intercession


Day 38

If there’s a breeze tonight

We might think for a moment that it is sweet


There is a breeze tonight

& it is sweet


I can’t remember if the breeze was sweet in those days

There was a breeze

There might have been


Why not?

It might have been the same sweet breeze that kept us from burning


Day 39

If we were to go back to the time before these hundred days

We couldn’t return without knowing what was to come


How could we?


If we were to swear off, that we couldn’t return to these days

I don’t know that we could; we know


We’re marked by this knowing

We know that we’re marked


& this knowledge taints us

& so we can never absorb your innocence



Your innocence will not shield you from these days

Because your innocence does not cleanse

& so your innocence cannot save you from what you must know


Day 40

She is my country


Every time she goes

I am a leaf in the wind

Every time she goes

She takes with her

All the home that I can ever claim


What use do I have for the carrier of bones?

What anthem can I sing for the graves of children?


She holds my home in the country that she is

& every time she returns, she is my flag

& I am home again

100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 41-50

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 41-50 as they come

Day 41

If justice was in a race with time

Peace would have no medal to offer


If peace sat at the table with justice

Time wouldn’t be served


If time wanted justice, so bad, so bad

There would be nothing that peace could offer

Either by seduction or reason


Day 42

I kneel before you


I kneel before you but this is not an act of supplication

I kneel before you because I cannot stand

I kneel before you because I cannot speak right now

My gestures are wordless articulations

& the dark in my eyes is not an indication of anything you could imagine

& there is nothing, nothing that you could ever give me


Day 43

After all the madness

& it had to have been a madness

You hear the arguments and explanations

That it was inevitable

That it was coming

That it had to happen after all those years


Knowing what we know now

What else should we have expected?


I hear that my loss was inevitable

I hear that my loss was coming

I hear that my heart break was written in the stars

& in historical documents & even in the oral stories

We had to have been blind & deaf & dumb to not have known

We had to have been oblivious, thinking that we could live

to a full life of family and community like others


After all, who misses the inevitability of a mass event like a genocide?


Day 44

Days and days of shallow breathing interspersed with deep sighs

days zooming into nothing

days of years and years that morphed into decades

of life as a gift, of life as worth living

days on days-ing, we weren’t even counting


It wasn’t as if after all those days

a veil would lift and it would have taken just those days, nothing more


It wasn’t as if after all those days

there was a chance that normal would morph back

as if all the seeds that had sprouted in those one hundred days

would un-sprout themselves into nothingness


Day 45

We watched as faith crumbled off the walls in dull clumps

We watched as prayers dissipated into clouds which then returned as drizzle to mock us

Although sometimes it rained

& sometimes it rained hard, as if the earth was sobbing

but it was never so — the earth remained dispassionate to our circumstance


Eventually our superstitions burst like bubbles

or floated away like motes in the light

There was nothing left to hold on to, not even time which stretched and then crunched itself wilfully

Cats and dogs roamed about, feral and hungry

People crouched in the shadows, not all feral and all the time hungry

At a half past all time, even decay stopped for a moment


Ours remains Eden, not even a spate of killing can change that.


Day 46

If truth is to be known in order to be acknowledged, then this is the truth that we know:

we know the numbers

we know the number of days

we know the circumstances

where the machetes came from and who wielded them

where the dotted line was signed


we know who fled

who advanced while chanting our names out loud

the names they called us

and the papers and airwaves on which these names can still be found


we know who claim to be the winners & the victims

we know where the markers are for where we buried the children

we know the cyclical nature of these things


the impossibility of knowing everything that happened

we know that true witnesses cannot speak

and that those who have words cannot articulate the inarticulable


we know that there are those who died without telling what they knew

we know that there are those who live without telling what they know


we also know that some people choose to tell and some stories choose to remain untold


Day 47

My sister used to look up when she remembered

Sometimes she would have a small laugh before she started to recall a story

Often she’d be laughing so hard at the reveries that we all started to laugh

Soon enough we were all laughing so hard because she was laughing

And then she laughed because we laughed

And the memory of that story dissolved into the laughter and became infused with it.


My sister is not here anymore

I wonder if she remembers laughing

I wonder if she remembers anything


Day 48

So what is it to be alive today?


I no longer think about the hard beneath my feet

or the give of my body into sleep

or the way my skin used to dissolve deliciously from touch


Is this what it is to become a haunt?


Day 49

There we were, lining up like frauds

There we were, receiving medals and commendations

like frauds

There we were, listening to speeches and reading the adorations

about us as heroes – like frauds

There we were

holding in ourselves, like frauds


All we did was stay alive

While many, many others died.


Day 50

This is the nature of our haunting:

silent witnesses & silence itself

neither revealing nor capable

of explication

of what any of that meant


What do we need nature for?

All it does is replicate its own beauty


100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 51-60

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 51 – 60 as they come

Day 51

I waited for my heart to harden after the kids were gone

I waited for the years of love to dissolve as if they never happened

I waited for the day when the remembrances of silly family laughter

would disappear with the setting sun

& I would wake up innocent,

as if I had never known anything good


It was starting to happen in small ways

I couldn’t recall the last good day


And then all the flowers poured in

In wreaths and ribbons and bouquets

Thousands and thousands and thousands of flowers

Each dead at the stalk

All dead from the moment they were cut

Every single one dead in their glorious & beautiful selves


Just like the people we lost

In those one hundred days


Day 52

So what if we were all Christian

Would the media brand it

Christian-on-Christian violence?

How do the dead declare the part of their identity they were killed for?


Day 53

There were echoes if one listened for them

This wasn’t the first time


There were echoes in Acholi

There were echoes in Armenia

There were echoes in the Americas

In Bangladesh

In Bosnia


The Congo


There were echoes in Darfur

There were echoes in England

There were echoes in Finland

In Georgia

In Germany

In Hawai’i

In Herero

In India

In Ireland







There were echoes in Orange County

There were echoes in Ovambo

In Poland

In Palestine

In Queensland

In Russia

South Africa

Southern Sudan





There were echoes in Xenophobic attacks everywhere

Yugoslavia, Zimbabwe.


Where on this planet has not been touched?

The earth palpitates with violence

as if it needs violence

as if violence is a heartbeat – if not here now it’s over there

if it’s not over there now, it’s on its way here


Ours wasn’t the first or the only one;

It was our most painful.

Day 54

It is absurd to think that a little girl will forget

how her mother’s hands felt when she used to plait her hair

some tugging, some lining the scalp with an oiled wooden comb

for clean patterns


some cool oil, some warmth when her hands gently repositioned her head like so

sometimes a last pat on the back of her head, sometimes her neck.

Okay, it’s done, you can go out and play now


Absurd that any little girl would forget that and has.

Day 55

Our lives became both

endless and immediate


There were no guards at the door

There was no door

& the only tax required was a last breath out


One moment you were alive

& the next gone

One minute you were alive

& moments after that you wouldn’t die

your chest gargled endlessly

we were afraid of being heard & then we weren’t

One minute we cared

& the next nothing mattered


Day 56

Before the maiden voyage

we heard that every water-faring vessel

needed sacrifice


The sacrifice had to be young

The sacrifice had to be blemish free

The sacrifice had to have no dimples, no piercing in the ear

The sacrifice could be male or female


Stay close to home, we were beseeched

Stay close to home lest the sacrifice gatherers came by

We stayed close to home, in those first days

We stayed close to home but the sacrifice gatherer didn’t seem to care for details

They came to harvest all kinds of bodies for a ship whose size has never been seen

Day 57
We were halfway to dead when we were reminded
that we were halfway to dead
Hovering, suspecting, tripping
or tiptoeing over the terrain
lest any semblance of confidence betrayed us again.

Ghosts flitted about
attentive to our progress
Chrissie knew

Chrissie could see that having never left ourselves
we were never going to arrive


Day 58

Karmic proportions may indicate

that we wanted, expected, earned what we got

that we wanted it

that we had to go through it

that we had to overcome the trials of life


And you who hasn’t gotten it yet

were/ and/or /are lucky


think again

think again

as long as we’re caught inside the neveragainness of things

we will remain blind to the hundreddaysness of others


Day 59

You want me to talk about what happened

because you say you want to understand

because when you engage with people like me, you say you can make a difference

because you say we all need to make a difference

because all of it, as you say, begins with me telling you what happened


Change the blue dice

Choose the cast

Lock up the hypnotic evil-thought bearing others


When you engage you say, you can relieve me of my nightmares

you say you can help me to heal, to look forward without anxiety


When you engage, you say, you will do so with understanding

because you think that at the level of articulation that I have

you say you will have understood

because you will have gotten it, you say

because you feel me, you say

because you’re incensed, you say, & will continue to be


Dear God (or whatever is left)

save us from all the saviours of the world


Day 60

I’m coming to understand what seems to be so apparent in nature:

time passes

things change

some live, some die

none escapes this life without an end


I’m coming to understand that there isn’t much more else to it:

time passes

things change

some live, some die

none of us escapes a final end.

100 Days, 50 Days In: A Poet’s Journey

From Zocalo Poets

Zócalo Poets

I am keenly aware of the paradox in thinking about the halfway point of writing and posting one hundred poems. For those who lived through or must still live through their own hundred days, there is no luxury of knowing a halfway point and yet I’m exhausted by the knowledge that this is only the halfway point.

I’ve come to appreciate the ability to count and depend on the passage of days as a reliable indicator that time passes. I’ve been watching how Wangechi Mutu’s photographs have morphed from very personal, embodied experiences of pain and death to images that radiate loss and loneliness through the passage of time and neglect. And I have looked at the poems I’ve written, thinking about what I can see – and what remains inaccesible to me.

When I wrote the first poem, Day 100, I gathered my visual cues about the landscape from

View original post 615 more words

100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 61-70

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 61 – 70 as they come


Day 61

Incredulity is a soft-paced wonder

& in the thick of days

Memory is a slippery thing


What do we remember from those one hundred days?

What happened on the tenth day or night

Might have well happened today, or yesterday

Incredulous is word from an innocent space

It is tepid, blubbery sometimes

because everything can happen and everything did


Day 62

Unless you believe in the eye of the needle

This kind of poverty will never be about material

It won’t be about ragged clothing

or mud huts with broken walls

or river blindness

or murram roads

or bad humoured fields that hoard curses

and promise that there won’t be a harvest this year or next


This isn’t the poverty of sleep

or for that matter, dreams


This is my deep loss, my poverty:

He will never touch my hand again

He will never touch my hand


Day 63

Walter says life is hard

He says that there is nothing we can do about it

Walter says I have to be happy to be alive


Walter says to be alive is better than being dead

Be happy, Walter says

Be happy to be alive


If being dead is not all that it’s cracked up to be

Then what was that all that rush about?

For my happiness?


Day 64

There have been three so far

Three men who walk with your gait

Who turn, head first, the way you used to

Walk like you did, sauntering like a cat


Laugh with your laugh

Flick the wrist the way you used to

just before you pointed your finger to make a point


All three men wore your face for a moment

Lighted mine up


You mean to say?


And then you were gone again

and the men were just ordinary men

doing ordinary things


Three imposters

Three who acquiesced to your tricks of reminding me

that you used to be by me

Day 65

Often times I want to become words

I want to inhabit forgetting as a state of being


Other times I think that if we wore a cloak of silence

Then our invisibility would not be seen as repair

or a sign that everything was good


The problem of becoming silence is that silence doesn’t exist


It wasn’t ever completely silent

Nothing stopped to pay attention

Nature chattered on, busy with life cycling

And subsumed us into the process

Day 66
Sometimes I want to melt into the earth
I want to imagine that some time in the future
Children will run over the soil that I’ve become

Day 67

Some days
I want to stare at the sky
Perhaps I can learn something, anything
Some days I think about how important the sky has become
I think about it so much and in so doing, I make it exist
I make the sky an endless and expansive backdrop of blue


If there was a sky, how could it witness what it did
& maintain that calm hue?

Day 68

There’s no denying that these haunted days

Are not necessarily days of grey

There are flowers everywhere

Beauty is always undeniable

These hundred days are haunted days not grey ones

These hundred days are filled with ghosted moments

just like every day


Day 69

The world turns as it does

Spinning on its own axis and then around the sun.

Perhaps this galaxy is also spinning around something bigger

Perhaps all the worlds spin in order to avoid dealing with the numbers:




All of them

Six from my in-laws

and all of my siblings, parents and their children

Twenty seven




All of them




My husband and all my children – seven in all



I don’t know

I can’t count anymore

Nobody came back

I don’t know if they ran away to safety or

If they’re just all gone


Day 70

Too close for comfort when everyone around looks like you.

Too close when they speak your language

Too close when you’re from the same house

Same meal at the table

Same sofa

Same containment of the heart


We became other people

We were them, those ones

And in being slaughtered and reported as slaughtered

We lost any claim to intimacy or self

Even animals don’t commit slaughter


100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 71-80

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 71 – 80 as they come

Day 71

Who says alas in the presence of betrayal?

Who dizzies away, swirling skirts & claims of nausea

Alas, alas, all the hand wringing!


It shouldn’t have been this way?

It shouldn’t?


It shouldn’t have been forms the dregs from the past


It shouldn’t have been this way


Would it have been better that all this was lobbed at your head?

Would it have been better if yours was the stuff of our nightmares?

Day 72

The difference between the top screw

and the bottom screw is this: direction


We are squeezed in by the past and the present

Everything is relative, they say

God and religion and offer escape from the screw

in the name of forgiveness, reconciliation & clean heartedness


Be like Jesus, forgive

Be like Jesus, remember to pray and to pay taxes

Be like Jesus, wear robes,

Have your first cousin shout in the streets about the second coming of yourself

Be like Jesus, hang out with prostitutes – love the sinner and all that

Above all be like Jesus and demand an answer in the moment of your cross

Why, God, have you forsaken us?

Day 73

There are witness stones along all roads

Between Jinja and Kampala

The road to Damascus

The roads leading to Kigali or Rome

Even the road less travelled

The old majesty of Kenyatta Avenue

Khao San, Via Dolorosa

And the Sea to Sky highway

where every few steps they say

is marked by the blood

of a foreign and indentured worker


Did you ever know stones in the road to scream?

They did in those days, you know

They still do sometimes

Day 74

In thirty- nine days there will be no more hindsight for sure

Today already there’s hardly any

No foresight

No insight

No encryption


In thirty-nine days, like today

There will be the same dullness about

The same powdery taste to everything

The same floaty feeling — the eerie pull to something beyond now


Ants keep busy

They have figured out that life is for living

And death is for dying


There is no space for those of us

Who are not dead and have yet to be resurrected

Day 75
There is evidence that this was a conspiracy of silence:
the insistence of green grass
the luminosity of a full moon
the leathered skin of the dead
the smile of skulls
the roar of the rushing river
endless, endless hills

If there was a shocked response
If this was an unnatural state of being
If this was a never, ever kind of situation
Why didn’t the world turn upside down?

Day 76

Another angle would have you believing that this is how it went down

This and specifically this.

And they will be right.

This is how it went down:


There were days upon days

Days upon days

Days upon days

Days upon days

Days that never seemed to end

Who’s to say when the first of a hundred days begun?

Day 77
We tried to sing but ended up croaking
We who used to be songbirds
In time, our throats had gotten dry

This is what happens when you start counting
Days in hundreds from a date that never was

Day 78

Insouciance must be blue

How else could we explain a sky that witnesses
And still insists on magical hues of its self?

Insouciance has to be blue
From royalty to madness
From the marked maleness of babies
To those that stayed death
From indigo at midnight
To the peasant hue of the mother of God
Another young woman to whom a hole in the pale sky announced
That she would bear a child
That she would bear
A boy dressed in madness

How else can we explain the resonances, echoes and exceptions?

The mother of God in us mothers of sons who had to be killed
& God in the mothers whose sons had to be killed

Day 79

A piece of cloth in a breeze

A clump of mud

A memory of desire

A broken yellow pencil with black stripes

Staedler Noris HB2 Made in Germany

A small stone

A clump of grass

A day

A pinched nerve

A delicate smell

A hill

A faded sign above the shop

Reads oca Cola It’s the Real

A child runs across the way

A list of jumbled images


None of which takes me away long enough to forget


Day 80

There is something inconsequential about all of this

One foot in front of another

One foot in front of another

To what end?


A nothing in front of a nothing

Round a round

Round a round


Never again and reconciliation

Like wayward birds about my head

Round a round a round a round a round


Blindfold me or not

Here’s another spot on the map

Where people are walking

One foot over another

One foot over another hundred days

100 Days: A Poetic Response to Wangechi Mutu’s #Kwibuka20#100 Days 81-90

Inspired by the quiet homage to the 1994 Rwanda Genocide that Wangechi Mutu started posting on social media on April 6, I decided to respond. I offer these poetic pieces as a way to think about the way in which we navigate through knowing about and understanding the genocide and other wars that endure.

Here are Days 90- 81 

Day 81
Nine times
Nine times they called out
Nine times, just nine

We know this because each call caused a finger to fall
We know this because there was one finger left
The ringed one
Only the ringed one

Day 82

This is to confirm that there is something to be said

For tying the waist really tight

Tight, tight, tight, tight

Tighter than when spoiling for a fight

Tighter that when getting ready to receive a heavy burden

Tight enough for days that rolled upon days


It was the tightness in our waists that kept us going


Day 83

We failed to read the clouds

As we had been taught to do in high school

Cumulonimbus chasing cotton balls

Cumulonimbus alone

Cumulonimbus with or without rain


What did it all mean?

What did it mean that we failed to read the sky?

It wasn’t in the cowrie shell readings

It wasn’t in the tea

Perhaps Cumulonimbus was a script in the sky

A writing that was not familiar

Not then and definitely not now


Day 84

Impressionistic moments follow each other

Like Monet come to life

It’s after two in the afternoon

Now it’s evening

Now suddenly night


Food, blanket

No food, no blanket

It’s all the same


There were no hundred days

Just a jumble of impressions

Moments that sometimes piled up

On top of each other

Sometimes moments lay side by side

Holding hands

Sleeping hungry

Or without blankets


Day 85

And God said: Let there be light

And there was light from the beginning of the world

There was light on this day like all the other days

Every day there was light enough to see everything

We didn’t always need to see

We didn’t need to see everything everyday


Day 86

My country belongs to God.

These are our scriptures:


Happy shall he be

that taketh and dasheth

thy little children unto the rock

Psalms 137:9


Vengeance is mine, sayeth the Lord

Roman 12:19


I will be there

where there are two or more gathered in my name

Christ proclaims in Matthew 18:20


Jesus must have a permanent presence in the church

Where the door has been propped ajar for eternity

Jesus Christ must live here

Where congregants were struck in supplication

Pleading for their lives, pleading, pleading for their lives


Where shall we find comfort?

Where can we go in this country of God?


Day 87

Reconciliation is minding my business

Reconciliation is minding my life

Reconciliation is aimed at my head

Reconciliation leaves me no choice


Don’t get me wrong


Reconciliation is a grand thing

Reconciliation photographs very well

Reconciliation makes people smile

Reconciliation feels good, dresses well

Writes well, conjures good dreams


Reconciliation wants me to wipe my tears dry

To wipe the slate clean — well at least wipe it

It wants me to forget my first born daughter

The one I could not bury

The one whose body I walked away from

Day 88
After all this, today
Another vigorous attempt to divvy up moments equally
Stillness, nothingness
A vacuous attempt to move, to sound, to connect to anyone, anyhow
Time flashes
Time drags
In another couple of months we will begin to grasp
The unending nature of these one hundred days
As nothing except what it was —
A nothingness that compounded nothing into being


Day 89

What do crickets know about innocence?

Were they not there?

Did they not see more than we did

Staying closer to the ground than we ever were?


Innocence in that ghastly cry –Why?  Why do we do this to ourselves?

Innocence in that other proclamation – Never, never, never again


Innocence is power without experience

Innocence is a knowing untempered

Crickets know that there is no innocence on hallowed ground


Day 90

How these hundred days

Should be days to think

About reconciliation and forgiveness

To consider the irrationality of ethnic cleansing

To see the phoenix rise again

& grief overcome

To witness humanity & good

& the power of God

To make miracles


That ultimately

Commemoration is a crafted affair

A beautiful thing

A symbol of power and resonance

The everlasting flame


We don’t have to remember

The empty space in our arms

That our lost children will never fill


This is not our liberty

We’re not free to forget